MUSIC

"Woman’s Burden" ("Masa Isha") - music for dance I
1998, 6'19
Music for dance. 
Duration:
6'19"
Composing Year:
1998
Preformance Year:
1998
Instruments:
Category:
Publisher:
"Woman’s Burden" ("Masa Isha") - music for dance II
1998, 5'21
Music for dance. 
Duration:
5'21"
Composing Year:
1998
Preformance Year:
1998
Instruments:
Category:
Publisher:
"To Mimi" - music for dance
1995, 7'51
Music for dance. 
Duration:
7'51"
Composing Year:
1995
Preformance Year:
1995
Artists:
Instruments:
Category:
Publisher:
"Voices: Woman Man" (Video)
2007
Monodialogue a Fantasy for solo Viola is dedicated to the violist Tabea Zimmermann; the motive core of the piece is built on the realization of the letters of her first name: Ta-Be-A, which are translated musically into the German pitch names of Si-Si bemol-La (B-B flat-A). The form and shape of the work involves the examination of the interrelationships of these three pitches. As part of the motivic idea, the player is required to tune the viola's lowest string down a half step from the pitch Do (C) to the pitch Si (B). Monodialogue is a rather free piece as far as its tempi and change of moods are concerned. Its expressiveness owes a great deal of its inspiration to the unique and special character of Tabea Zimmermann.
Composing Year:
1999
Preformance Year:
2007
Instruments:
Category:
Preformance City:
Preformance Country:
Publisher:
"Voices: Man Woman" (Video)
2007
The piece was originally written for and dedicated to the Violist Tabea Zimmermann and  was adapted for Violoncello by the Cellist Hillel Zori
 
The motive core of the piece is built on the realization of Tabea's first name syllables: Ta-Be-A, which are translated musically into the German pitch names of Si-Si bemol-La (B-B flat-A). The form and shape of the work involves the examination of the interrelationships of these three pitches. As part of the motivic idea, the player is required to tune the viola's lowest string down a half step from the pitch Do (C) to the pitch Si (B). Monodialogue is a rather free piece as far as its tempi and change of moods are concerned. Its expressiveness owes a great deal of its inspiration to the unique and special character of Tabea Zimmermann.
Composing Year:
1999
Preformance Year:
2007
Instruments:
Category:
Preformance City:
Preformance Country:
Publisher: