SEARCH RESAULTS FOR Bassoon (2)

Concerto Da Camera - La Folia for Four Wind Instruments (fl, ob, bn, hn) & String Orchestra
Andrew Lawrence-King , 18'43
Commissioned by "The Israel Camerata-Jerusalem"
Written while being a fellow at the VCCA Virginia USA.   
  
 The Israel Camerata-Jerusalem Orchestra conducted by Andrew Lawrence-King
The work, which was commissioned by the Israel Camerata Jeruslaem and written while a fellow in VCCA, Virginia, USA, derives its inspiration from the traditional melodic – harmonic – rhythmic pattern called “La Folia” which served as a framework for dozen of works written since the Renaissance to the present day. The name’s origin relates to the fact that, at first it served as pattern for music and dance in which the dancers became ecstatic, and seemingly struck by madness.
In my treatment of this traditional form, I tried to derive my ideas from its typical melodic structure, its basic rhythmic character and its dance-like origin as well as form the obsessive, everlasting repetition of the basic pattern while making changes and variations, in my own language. 
The Work consists of four movements: Fast-slow-fast-slow, with the first three almost connected and the fourth independent.
This last movement is in the form of a funeral march in which I tried to express my feelings and pain in regard to the collapse of the process and the loss we are experiencing in the present era. 
Duration:
18'43"
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''Primus Inter Pares''
2002, 11'45"
 "Primus Inter Pares" (which means in Latin –first among equals) was commissioned by the "Relache" ensemble based in Philadelphia, USA.
The piece's name alludes to the relatively prominent role of the Marimba compared to the other instruments and it was dedicated to the Israeli percussionist Chen Zimbalista. The piece is based on three Ladino songs taken out of a book called "the Cycle of Life" edited by the musicologist Dr. Shoshana Weich-Shachak. The songs serve as a "shadow" pool, which I have drawn my main melodic and rhythmic motives from, but at same time the beautiful songs themselves appear fully also in the course of the piece treated in my own harmonic language. The piece is quite rhythmical and it combines the ethnic-folkloristic element with a contemporary, art music idiom. 
Duration:
11'45""
Composing Year:
2002
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2002
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