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''Between the Sacred and the Profane'' for string quartet - II Allegro vivace
1998, 3'56"
Between the Sacred and the Profane for String Quartet has two movements based on rhythmic and melodic materials which draw upon sources of Jewish liturgical music and songs of the various communities of the people of Israel.  The first movement is based on a limited number of biblical cantillations combining two versions: the Moroccan-Casablanca version and the Spanish-Jerusalem one. It is a recitative, prayer-like in character and embodies both the prayers of the individual and of the congregation. It is freely constructed and its language is chromatic and expressive. The second movement is based, in the main, on three wedding songs of the Jewish community of Tetuan in Spanish Morocco which is renowed for the beauty and wealth of its songs. The songs were picked out from the anthology "the Cycle of Life", edited by Dr. Shoshana Weich-Shahak. These are Ladino songs influenced by Spanish melos and rhythm yet they retain the taste of biblical cantillations. The work was commissioned by the Israeli Music Heritage Project.
Duration:
3'56""
Composing Year:
1991
Preformance Year:
1998
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An Octet Movement - Homage to Mendelssohn
1999, 8'12"
Comissioned by Kesht Eilon Violin Mastercourse. 
The piece is directly influenced by the brilliant and best known work for this special ensemble: Mendelssohn's Octet for Strings. My Piece is largely based on the central, uplifting theme that opens Mendelsshon’s octet, which of course has undergone considerable melodic, harmonic and rhythmic transformations in passing through my personal prism. The texture of my piece is many times either antiphonal (a group against group) or responsorial (soli against group). The work has a sweeping, rhythmic character, and on a large scale constitutes a tribute to youth and to the “Joie de Vivre” that youth embodies.
Duration:
8'12""
Composing Year:
1999
Preformance Year:
1999
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