SEARCH RESAULTS FOR Composer (46)

Concertino for Cello and String Orchestra
Yehuda Gilad 2005, 13'
The concertino for cello & string orchestra – “As the Clay in the Potter’s Hand” is a shorter version of my concerto for cello and symphonic orchestra.
The sub-title is drwan from the wonderful poetic verse which is part of the prayer for the Day of Atonement (Yom Kippur).
The piece is played in one continuous flow with no interruptions, but it is subdivided internally into five sections, examining musically the special reciprocal relations between the creator (the cello) and its material (the orchestra). In the course of the piece the listener is exposed to the ever changing relations between the two, from the struggle to give the formless idea a clear and distinct shape through the complete identification of the creator with his material, until the moment the material becomes fully independent and free on its own right. Now it is the time of departing and seperating, what remains is an echo – a reflection of the material in its creator’s mind, then the material gradually disappeaas. It evaporates leaving the creator drained… until his next composition.
In spite of all this description the piece should not be seen as programme music, but rather as pure absolute music. I just wanted to share with the listners the poetic trigger that was at the bottom of the spiritual process that led me to write my music.
The piece grows out of a kernel idea: a kind of a sound which derives from an ascending row of tones at intervals which grow from minor second to minor sixth, The work is written in expressive chromatic language but a tonal center can be discerne (the tone C) which recurs throughout the entire work abd serves as its anchor.
Duration:
13'"
Composing Year:
1998
Preformance Year:
2005
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An Octet Movement - Homage to Mendelssohn
1999, 8'12"
Comissioned by Kesht Eilon Violin Mastercourse. 
The piece is directly influenced by the brilliant and best known work for this special ensemble: Mendelssohn's Octet for Strings. My Piece is largely based on the central, uplifting theme that opens Mendelsshon’s octet, which of course has undergone considerable melodic, harmonic and rhythmic transformations in passing through my personal prism. The texture of my piece is many times either antiphonal (a group against group) or responsorial (soli against group). The work has a sweeping, rhythmic character, and on a large scale constitutes a tribute to youth and to the “Joie de Vivre” that youth embodies.
Duration:
8'12""
Composing Year:
1999
Preformance Year:
1999
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Concertino for Oud and Piano
Avner Biron 2001, 16'30"
Comissioned by the "Lille Festival" for the Israel Camerata-Jerusalem Orchestra. 
The concertino for oud, piano and string orchestra starts with an introduction in the spirit of a taqsim – the typical improvised opening so often found in Arabic music. From this opening dialogue between the oud and piano emerges the first section, in which the orchestra makes its entrance. All its melodic gestures have an ornamental character full of melismatic lines so dear to Middle Eastern music. The mosaic-like structure of this first section gains momentum and leads the second section, written in a more cantabile style somewhat similar to the Samai, an Arabic musical form with a specific 10/8 meter.
The third section, played uninterruptedly following the second one, consist of an improvised piano and then oud cadenzas, both accompanied by the orchestra, as well as an impromptu dialogue between the two instruments. The piece ends with short brilliant passages, played in unison, in homage to Arabic music.
Duration:
16'30""
Composing Year:
1994
Preformance Year:
2001
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''Jerusalem'' - Symphonic Overture
David Shalon 1996, 9'25"
Commissioned by the "Jerusalem Symphony Orchestra" for the celebration of 3000 years to Jerusalem.
 
The point of departure of my work is based on the various names by which the city has been throughout history: Yeru-salem (its name in antiquity), through Yerushalaim; Aelia Capitolina, Jerusalem and El-Kuds. 
Each appellation has its own internal rhythm and the means of development in my work rest upon the rhythmic motifs which those rhythms dictate. I have tried to give expression in my work to my own complex feelings for the city and convey my impressions of the earthly city of to-day – its vitality, its multi-layered texture (be it historic, cultural or religious); beset by conflicts, blistering, exploding yet over hopeful. Though it is at the heart of relentless and uncompromising feuds, it remains the object of loving yearning of many the world over.
Duration:
9'25""
Composing Year:
1996
Preformance Year:
1996
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Homage to Alexander (Sasha) Argov
Menachem Nebenhaus 1999, 9'9"
Comissioned by the Thelma Yellin High School Symphonic Orchestra.
"Homage to Sasha Argov" is a kind of orchestral suite consisting of my arrangements to five of his most celebrated songs.
Duration:
9'9""
Composing Year:
1999
Preformance Year:
1999
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