SEARCH RESAULTS FOR Israel (41)

Metamorphosis II - for piano solo
2008, 10'27"
Commissioned by the Arthur Rubinstein International Piano Competition as a mandatory piece in the 2008 Competition.
Metamorphosis I examines in a way the most resonant intervals-the perfect octave and the perfect fifth. These first two intervals of the overtone series were almost banned by the most strict followers of the atonal and serial music. This extreme stand was partly due to their reaction against the excessive use of octaves in the Romantic piano literature and partly because the fifth as a delimited interval defined the major and minor chords representing the tonal/modal system they wanted to abolish. Also by being so consonant and stable, using these intervals was against the sentiments of an epoch sanctifying dissonance and instability.
 
These very attributes mentioned above are those which attract my creative imagination and my musical sensibility. I like the very fact that these intervals are so sonorous and their use seems to me to be very idiomatic and natural for the piano.
 
The very different, even contrasting moods of the consequent movements conceal the fact that they all share the basic musical material which undergoes far reaching changes-in short –a metamorphosis.
Duration:
10'27""
Composing Year:
2008
Preformance Year:
2008
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Concerto for Cello and Orchestra - ''Behold, as the Clay in the Potter's Hand'' I. Adagio molto espressivo - Andante espressivo
Noam Sheriff 1992, 10'29"
The Cello Concerto was inspired by the prayers of the Day of Atonement: "Behold as the Clay in the Potter's Hand". 
The relationship that develops between the potter and the clay is "a frame of reference" for the musical form chosen by the composer, whereby the potter is represented by the soloist and the clay by the orchestra. The musical substance of the concerto is derived, on one hand, from a restricred number of "Te'amin" (the traditional biblical cantilations) and on the other hand from an aggregation of sounds built on an adcending row of intervals from the "minor second" to the "major sixth".
There is a long prologue that merges organically with the first movement which has a serene and passionate nature. The second movement starting with a sarabande-like lyrical theme soon gets very dramatic. The end of the movement brings again the memory of the first theme and flows almost unimterruptedly into the last movement. This is a very fast, polyrythmical movement of a somewhat eastern character. The rhythmical cells and motives soon "evaporate" into a very tranquil postlude fading out delicately.
 
The work was commissioned by the Israel Symhpony Orchestra Rishon-Lezion, which gave it its world premiere in 1992 under the baton of Noam Sheriff. it is dedicated to the orchestra's solo cellist Doron Toister and was awarded a grant by Tel-Aviv Foundation for Literature and Art.
Duration:
10'29""
Composing Year:
1992
Preformance Year:
1992
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Concerto for Cello and Orchestra - ''Behold, as the Clay in the Potter's Hand'' II.Adagio cantabile
Noam Sheriff 1992, 6'14"
The Cello Concerto was inspired by the prayers of the Day of Atonement: "Behold as the Clay in the Potter's Hand". 
The relationship that develops between the potter and the clay is "a frame of reference" for the musical form chosen by the composer, whereby the potter is represented by the soloist and the clay by the orchestra. The musical substance of the concerto is derived, on one hand, from a restricred number of "Te'amin" (the traditional biblical cantilations) and on the other hand from an aggregation of sounds built on an adcending row of intervals from the "minor second" to the "major sixth".
There is a long prologue that merges organically with the first movement which has a serene and passionate nature. The second movement starting with a sarabande-like lyrical theme soon gets very dramatic. The end of the movement brings again the memory of the first theme and flows almost unimterruptedly into the last movement. This is a very fast, polyrythmical movement of a somewhat eastern character. The rhythmical cells and motives soon "evaporate" into a very tranquil postlude fading out delicately.
 
The work was commissioned by the Israel Symhpony Orchestra Rishon-Lezion, which gave it its world premiere in 1992 under the baton of Noam Sheriff. it is dedicated to the orchestra's solo cellist Doron Toister and was awarded a grant by Tel-Aviv Foundation for Literature and Art.
Duration:
6'14""
Composing Year:
1992
Preformance Year:
1992
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Concerto for Cello and Orchestra - ''Behold, as the Clay in the Potter's Hand'' III. Non troppo presto
Noam Sheriff 1992, 5'5"
Concerto for Cello and Orchestra - ''Behold, as the Clay in the Potter's Hand'' I. Adagio molto espressivo - Andante espressivo
Duration:
5'5""
Composing Year:
1992
Preformance Year:
1992
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Fantasy (a Prayer) - for Strings Orchestra
Avner Biron 1994, 13'44"
Commissioned by the Schleswig-Holstein Festival for the Israel Camerata, Jerusalem.
Duration:
13'44""
Composing Year:
1994
Preformance Year:
1994
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