SEARCH RESAULTS FOR Roman Rabinovitch (3)

Metamorphosis II - for piano solo (Video)
2008, 10'27"
Commissioned by the Arthur Rubinstein International Piano Competition as a mandatory piece in the 2008 Competition.
Metamorphosis I examines in a way the most resonant intervals-the perfect octave and the perfect fifth. These first two intervals of the overtone series were almost banned by the most strict followers of the atonal and serial music. This extreme stand was partly due to their reaction against the excessive use of octaves in the Romantic piano literature and partly because the fifth as a delimited interval defined the major and minor chords representing the tonal/modal system they wanted to abolish. Also by being so consonant and stable, using these intervals was against the sentiments of an epoch sanctifying dissonance and instability.
 
These very attributes mentioned above are those which attract my creative imagination and my musical sensibility. I like the very fact that these intervals are so sonorous and their use seems to me to be very idiomatic and natural for the piano.
 
The very different, even contrasting moods of the consequent movements conceal the fact that they all share the basic musical material which undergoes far reaching changes-in short –a metamorphosis.
Duration:
10'27""
Composing Year:
2008
Preformance Year:
2008
Instruments:
Category:
Genre:
Preformance Country:
Publisher:
Metamorphosis I - for piano solo
2007, 6'53"
Metamorphosis I was commissioned by the young and wonderful Pianist Benjy Hochman. It was conceived as a short (app. 6') self contained movement that could also be intergrated later as part of a longer piece yet to be written.
 
It develops out of a very small melodic and rhythmic cell that undergoes multiple phases changing its mood, texture, contour, rhythm and tempo.
From a nervous beginning, restless and inquiet, it becomes more and more energetic until its motoric impetus stops and the whole atmosphere changes and transforms to become static, colorful and melodic.
This mood lasts for a while but not for too long, when once again it changes to become charged with energy, reminiscent of the opening character.
 
The piece has a zipping quality, changing ideas quite fast, expressing in a way the uncertain and unstable situation so typical of our hyper tensioned life in Israel, our native land.
Duration:
6'53""
Composing Year:
2006
Preformance Year:
2007
Instruments:
Category:
Preformance Country:
Metamorphosis II - for piano solo
2008, 10'27"
Commissioned by the Arthur Rubinstein International Piano Competition as a mandatory piece in the 2008 Competition.
Metamorphosis I examines in a way the most resonant intervals-the perfect octave and the perfect fifth. These first two intervals of the overtone series were almost banned by the most strict followers of the atonal and serial music. This extreme stand was partly due to their reaction against the excessive use of octaves in the Romantic piano literature and partly because the fifth as a delimited interval defined the major and minor chords representing the tonal/modal system they wanted to abolish. Also by being so consonant and stable, using these intervals was against the sentiments of an epoch sanctifying dissonance and instability.
 
These very attributes mentioned above are those which attract my creative imagination and my musical sensibility. I like the very fact that these intervals are so sonorous and their use seems to me to be very idiomatic and natural for the piano.
 
The very different, even contrasting moods of the consequent movements conceal the fact that they all share the basic musical material which undergoes far reaching changes-in short –a metamorphosis.
Duration:
10'27""
Composing Year:
2008
Preformance Year:
2008
Instruments:
Category:
Preformance Country:
Publisher: