SEARCH RESAULTS FOR Tel Aviv (9)

''Kaleidoscope''
1996, 9'9"
comissioned by the Musica Nova Consort.
I have chosen this combination of instruments which produces a very specific sound in which the flute is quite conspicuous. My compositional point of departure was the sonority of the ensemble and therefore I have tried to use instruments of different families which permit a variety of sound production; wind, string,  plucked instrument and tuned percussion instruments of wood and metal.
There is only one movement and the work is interally divided into two sections which differ from one another but are connected through common thematic material. The material was drawn from the name Rami which by association reminds one of the notes RE and MI (D and E). Both notes run throughout the composition in various ways. The other materials are taken from the scales typical of my chosen instruments, in particular from the pentatonic scale of the marimba and the natural diatonic scale of the harp.
The character is strongly influenced by the impression of a colourful kleidoscope, whose images change fast. It finds expression in the first section in fast changing materials which are almost never repeated, but are placed side by side. Fast motoric parts alternate in the piece with lyrical expressive passages. In the second section the colouring and kleidoscopic character stem from a different treatment – from the harmonic, rhythmic and orchestral aspect – of a melodic idea which repeats itself time and again as if in a persistent ritual.
Duration:
9'9""
Composing Year:
1996
Preformance Year:
1996
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''Between the Sacred and the Profane'' for string quartet - I non troppo lento, un poco agitato
1998, 5'38"
Between the Sacred and the Profane for String Quartet has two movements based on rhythmic and melodic materials which draw upon sources of Jewish liturgical music and songs of the various communities of the people of Israel.  The first movement is based on a limited number of biblical cantillations combining two versions: the Moroccan-Casablanca version and the Spanish-Jerusalem one. It is a recitative, prayer-like in character and embodies both the prayers of the individual and of the congregation. It is freely constructed and its language is chromatic and expressive. The second movement is based, in the main, on three wedding songs of the Jewish community of Tetuan in Spanish Morocco which is renowed for the beauty and wealth of its songs. The songs were picked out from the anthology "the Cycle of Life", edited by Dr. Shoshana Weich-Shahak. These are Ladino songs influenced by Spanish melos and rhythm yet they retain the taste of biblical cantillations. The work was commissioned by the Israeli Music Heritage Project.
Duration:
5'38""
Composing Year:
1991
Preformance Year:
1998
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''Between the Sacred and the Profane'' for string quartet - II Allegro vivace
1998, 3'56"
Between the Sacred and the Profane for String Quartet has two movements based on rhythmic and melodic materials which draw upon sources of Jewish liturgical music and songs of the various communities of the people of Israel.  The first movement is based on a limited number of biblical cantillations combining two versions: the Moroccan-Casablanca version and the Spanish-Jerusalem one. It is a recitative, prayer-like in character and embodies both the prayers of the individual and of the congregation. It is freely constructed and its language is chromatic and expressive. The second movement is based, in the main, on three wedding songs of the Jewish community of Tetuan in Spanish Morocco which is renowed for the beauty and wealth of its songs. The songs were picked out from the anthology "the Cycle of Life", edited by Dr. Shoshana Weich-Shahak. These are Ladino songs influenced by Spanish melos and rhythm yet they retain the taste of biblical cantillations. The work was commissioned by the Israeli Music Heritage Project.
Duration:
3'56""
Composing Year:
1991
Preformance Year:
1998
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Homage to Alexander (Sasha) Argov
Menachem Nebenhaus 1999, 9'9"
Comissioned by the Thelma Yellin High School Symphonic Orchestra.
"Homage to Sasha Argov" is a kind of orchestral suite consisting of my arrangements to five of his most celebrated songs.
Duration:
9'9""
Composing Year:
1999
Preformance Year:
1999
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Suita Concertante (Encounters IV) for Classical Violin, Klezmer Violin and Chamber Orchestra
Doron Solomon 2007, 22'20"
This is another one in a chain of pieces I've already written in the past which tries to bridge between different musical cultures. In this case it's the ethnic. folk-like klezmer tradition alongside that of the concert hall with the virtuoso classical violin.
 
The piece is written in one long movement, which flows from one emotional mood to another trying to reflect different phases of our inner self.
I've used quite a few magnificent klezmer tunes and dances  and added  some original ones which I've invented.
 
 Each soloist is representing in a way his/her tradition of playing the violin, but as this is a real encounter and not a confrontation, they also influence each other respectively. I've let both my soloists emphasize their expressive and technical abilities in different phases of the piece.
 
Writing such a piece for me was a way to connect to the deepest and even primordial layers of my memories as an infant and a child. It deeply reflects my innermost beliefs as a Jew and as a human being.
 
The composition was commissioned by the J.M.I. in London and supported by the Arts Council of England
Duration:
22'20""
Composing Year:
2006
Preformance Year:
2007
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