SEARCH RESAULTS FOR string quartet (3)

Quintet for percussion and string quartet
2000, 14'40
The Quintet for Percussion & String Quartet is a chamber version of the Concertino for percussion & orchestra commissioned by the Israel Chamber Orchestra for the percussion artist Chen Zimbalista. Despite its origins, it has the distinct nature of a chamber work: the stirngs are equal partners throughout, the only exception being a semi-composed semi-improvised solo cadence for the percussionist.
Of the percussive instruments, the marimba is most prevalent, but various other instruments – with or without definite pitch – such as the vibraphone, cymbals and tam-tams, are also used. The Quintet, to be played as a continuous sequence, is of three sections, whose time ratios are arranged telescopically. The first is the longest and most complicated of the three, and ends with a cadence leading to the shorter expressive and lyrical second section, in which the strings come to the fore. Robust rhythmic qualities and a lively, bouncy tempo in the perpetuum mobile vain, characterize the third, even shorter, section which concludes the piece.
Duration:
14'40"
Composing Year:
2000
Preformance Year:
2000
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''Between the Sacred and the Profane'' for string quartet - I non troppo lento, un poco agitato
1998, 5'38"
Between the Sacred and the Profane for String Quartet has two movements based on rhythmic and melodic materials which draw upon sources of Jewish liturgical music and songs of the various communities of the people of Israel.  The first movement is based on a limited number of biblical cantillations combining two versions: the Moroccan-Casablanca version and the Spanish-Jerusalem one. It is a recitative, prayer-like in character and embodies both the prayers of the individual and of the congregation. It is freely constructed and its language is chromatic and expressive. The second movement is based, in the main, on three wedding songs of the Jewish community of Tetuan in Spanish Morocco which is renowed for the beauty and wealth of its songs. The songs were picked out from the anthology "the Cycle of Life", edited by Dr. Shoshana Weich-Shahak. These are Ladino songs influenced by Spanish melos and rhythm yet they retain the taste of biblical cantillations. The work was commissioned by the Israeli Music Heritage Project.
Duration:
5'38""
Composing Year:
1991
Preformance Year:
1998
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''Between the Sacred and the Profane'' for string quartet - II Allegro vivace
1998, 3'56"
Between the Sacred and the Profane for String Quartet has two movements based on rhythmic and melodic materials which draw upon sources of Jewish liturgical music and songs of the various communities of the people of Israel.  The first movement is based on a limited number of biblical cantillations combining two versions: the Moroccan-Casablanca version and the Spanish-Jerusalem one. It is a recitative, prayer-like in character and embodies both the prayers of the individual and of the congregation. It is freely constructed and its language is chromatic and expressive. The second movement is based, in the main, on three wedding songs of the Jewish community of Tetuan in Spanish Morocco which is renowed for the beauty and wealth of its songs. The songs were picked out from the anthology "the Cycle of Life", edited by Dr. Shoshana Weich-Shahak. These are Ladino songs influenced by Spanish melos and rhythm yet they retain the taste of biblical cantillations. The work was commissioned by the Israeli Music Heritage Project.
Duration:
3'56""
Composing Year:
1991
Preformance Year:
1998
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